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	<title>Trefethen Studios &#187; f/64</title>
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	<description>A studio for digital-media education, photography and design.</description>
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		<title>f/64 Manifesto</title>
		<link>http://trefethenstudios.com/2009/09/f64-manifesto/</link>
		<comments>http://trefethenstudios.com/2009/09/f64-manifesto/#comments</comments>
		<pubDate>Wed, 30 Sep 2009 17:35:57 +0000</pubDate>
		<dc:creator>trefethen</dc:creator>
				<category><![CDATA[On Photography]]></category>
		<category><![CDATA[Ansel Adams]]></category>
		<category><![CDATA[Edward Weston]]></category>
		<category><![CDATA[f/64]]></category>
		<category><![CDATA[Henry Swift]]></category>
		<category><![CDATA[How to make]]></category>
		<category><![CDATA[How to make Pictorialism]]></category>
		<category><![CDATA[Imogen Cunningham]]></category>
		<category><![CDATA[John Paul Edwards]]></category>
		<category><![CDATA[Pictor]]></category>
		<category><![CDATA[Pictorialism]]></category>
		<category><![CDATA[Pictorialist]]></category>
		<category><![CDATA[Sonya Noskowiak]]></category>
		<category><![CDATA[Straight Photography]]></category>
		<category><![CDATA[Understanding Pictorialism]]></category>
		<category><![CDATA[Willard Van Dyke]]></category>

		<guid isPermaLink="false">http://trefethenstudios.com/?p=1450</guid>
		<description><![CDATA[The name of this Group is derived from a diaphragm number of the photographic lens. It signifies to a large extent the qualities of clearness and definition of the photographic image, which is an important element in the work of members of this Group. The chief object of the Group is to present in frequent [...]]]></description>
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		<title>Modern-day Pictorialism by Dan Peknik</title>
		<link>http://trefethenstudios.com/2009/09/modern-day-pictorialism/</link>
		<comments>http://trefethenstudios.com/2009/09/modern-day-pictorialism/#comments</comments>
		<pubDate>Thu, 24 Sep 2009 17:43:38 +0000</pubDate>
		<dc:creator>trefethen</dc:creator>
				<category><![CDATA[Artist Profiles]]></category>
		<category><![CDATA[Dan Peknik]]></category>
		<category><![CDATA[Alfred Stieglitz]]></category>
		<category><![CDATA[AStigma]]></category>
		<category><![CDATA[f/64]]></category>
		<category><![CDATA[f/64 group]]></category>
		<category><![CDATA[Frank Sutcliffe]]></category>
		<category><![CDATA[George Seeley]]></category>
		<category><![CDATA[Gertrude Käsebier]]></category>
		<category><![CDATA[How to make Pictorialism]]></category>
		<category><![CDATA[Julia Margaret Cameron]]></category>
		<category><![CDATA[Ken Rosenthal]]></category>
		<category><![CDATA[Mina Dresden Gallery]]></category>
		<category><![CDATA[Peter Henry Emerson]]></category>
		<category><![CDATA[Pictorialism]]></category>
		<category><![CDATA[Pictorialist]]></category>
		<category><![CDATA[Robert Demachy]]></category>

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		<description><![CDATA[The Pictorialism movement of the early twentieth century was a group of artists whose goal was to transform the conventions of photography. While most photographers were capturing the realism their tool so naturally recorded, the Pictorialists where throwing their lenses out of focus with the aim of bringing a more painterly quality to the medium [...]]]></description>
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